SUPER400 PRESS QUOTES

 

"The power trio out of upstate New York plays a lofty punch of original material that recalls the pot-laced days of classic ’70s rock." -Worcester Magazine (June 22, 2007)

 

http://www.worcestermag.com/archives/2006/06-22-06/pm_nightlife.html

 


"...Super 400 does in fact possess many original elements which can be attributed to their rock, jam band and Motown influences." -Mike O’Donnell, Play Philly Magazine (November 8, 2006)

 

"Super 400 ripped into the (pause) most (pause) BERSERK blitzkrieg of brutally delicious sound that it was literally shocking. It felt like when your brain rips in half the nanosecond before one of your better orgasms. I mean, This is Rock and Roll, and really, that’s all there is to say. They destroy. Respect!" -Tara Murtha ‘Mix Tape,’ Play Philly Magazine (November 8, 2006)

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http://www.zwire.com/site/news.cfm?newsid=17439529&BRD=2766&PAG=461&dept_id=578256&rfi=6

 

"The band offers a brand of true rock fury that often has to fight its way through a particular trend just to get noticed, but is likewise a style of music that will outlast the cockroaches themselves." -Scott McLennan, Worcester Telegram & Gazette (May 10, 2007)

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http://www.telegram.com/apps/pbcs.dll/article?AID=/20070510/COLUMN14/705100380/1092/NEWSREWIND

 

 

"This is rock 'n' roll as religion – hard and high reaching, denim apostles with big amps and even bigger balls."

 

"3 And The Beast is heavier than its predecessors but still swivels on lubricated hips. Singer- guitarist Kenny Hohman has a boulder-busting wail worthy of Steve Marriott's Humble Pie days. Drummer Joe Daly and bassist Lori Friday consistently remind us why the power trio is such a holy combo. In a just world, Super 400's latest would be gatefold double vinyl we could sort out the seeds and stems on. Glorious."

 

Dennis Cook, JamBase (June 5, 2007)

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http://www.jambase.com/Articles/Story.aspx?StoryID=10663

 

 

"Drummer Joe Daley and bassist Lori Friday capably hold down the fort, but it’s the guitar work that’s really extraordinary. Holman is working at a level higher than everyone around him, yet he never overplays and his catchy riffs and hooks are the lifeblood of the material." -David Malachowski, Chronogram Magazine (August 1, 2007)

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http://www.chronogram.com/issue/2007/8/Music/CD-Review-Super-400

 

 

"I'm digging Super 400's vintage 70's crunchy sound- great energy and not overly produced." –Brenda Steiner, Lively Times (September 13, 2007)

 

 

"For this reliably excellent live act, putting the songs and the performances at the forefront was a smart move: Once the tentative opening notes of “Emergency” gust up into a flurry and the rhythm section kicks into high gear, you’re in for a 45-minute reminder of why rock & roll will never burn out or fade away." -John Brodeur, Metroland (2007)

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http://metroland.net/guides/2007_local_music/large.html

 

 

"USA rock trio Super 400 is the kind of band that will turn a moderate night out in a small club into a big time event."Here Comes The Flood (November 12, 2007)

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http://blogger.xs4all.nl/werksman/archive/2007/11/12/320382.aspx

 

 

"Simply put, Super 400 has zeroed in on the lost art of the rock and roll power trio, and mastered it in the process." –Ronni James, Tech Valley Times (2007)

 

 

"With bassist Lori Friday and drummer Joe Daley in pure mind-meld mode, singer/guitarist Kenny Hohman can stretch out and show his depth on the reflective "Green Grass End," balancing a falsetto vocal line or two with his normal, rougher Paul Rodgers/Doyle Bramhall II tone. The squealing, s-s-s-mokin' "High Hopes" is the perfect lead into album closer "Our Season Has Come," which is tres' Creamy with additional textures. Spread the Message."    -Mike Mettler, Mobile Entertainment Magazine

 

 

 

"Raise a fist for Super 400 and see if they don’t rock you like a proper fuckin’ hurricane." –Dennis Cook, Crazywire.com

 

"There hasn't been a good rock threesome since the wonderful Kings X, but upstate New Yorkers Super 400 - two young men and, lawdy, a woman - are certainly heading in the right direction. If their creative, muso approach to heavy rock, with its tempo changes and long, almost psychedelic jams (Closer Day Bye Day clocks in at an epic 12 minutes) eerily recall the 'forementioned Kings X at times, it's because they're probably drawing on the same influences: primitive trios The Jimi Hendrix Experience and Cream have a lot answer for here. Elsewhere, Super 400's textured rock'n'blues sounds a lot like a modern-day Free, only a tad more brutal (Dreamboat especially), and The Black Crowes, only less stoned (the fine Hitch A Ride). One to watch." –Sylvie Simmons, Mojo Magazine